#CDNTimes

This is the fifth in a series of articles capturing the planned conversations and discussions at the inaugural Festival of Live Digital Art (foldA),...

This is the fourth in a series of articles capturing the planned conversations and discussions at the inaugural Festival of Live Digital Art (foldA),...

This is the third in a series of articles capturing the planned conversations and discussions at the inaugural Festival of Live Digital Art (foldA),...

In 2015, ATP, then under exclusively female leadership, collapsed under the weight of a global oil crash. I cared a lot about their finances then. I gave as much money as I could to help them through because of their principled mandate and history and only after other members of the community led the way. Obviously, that exercise didn’t give individual donors control over the future operations of the company, but it did compel them forward with our confidence. In political campaign terms, we gave them a mandate to continue. After last week, I’ll bet a lot of us want our money back.

This is the second in a series of articles capturing the planned conversations and discussions at the inaugural Festival of Live Digital Art (foldA),...

So, if technology is, at heart, an expression of social practices, then I think we need to spend some time thinking through what kinds of practices, what models of sociality, are most important to us. And it seems to me that artists and storytellers are uniquely and sensitively attuned to precisely these kinds of questions. We understand that a story simultaneously creates a new kind of abstraction—a new possibility for being in the world—and also has the capacity to represent people in their wholeness and specificity.

Winners and Losers is described as “a conversation between lifelong friends”. It is a Governor General award nominated play written by James Long and...

My relationship to Canada has moved through three phases in my life so far. As a Toronto-area kid, I believed the idea I was told:...

"Laura is the most cerebral actor I've ever worked with." I'm 20, sitting in a term evaluation interview for my third year of theatre...

I first encountered CREEPS in the fall of 2004, during my last year at Memorial University in Newfoundland. One of my fellow theatre nerds...