#CDNTimes

#CDNTimes

Building Participation

Every couple years I get malaise. This has happened enough times that I recognize the pattern, coming as it does between finishing one creative...

Talking Forward

So now I am left with the question – how do I as a theatre practitioner do a better job of lifting the audience out of darkly lit obscurity? How do I shine a light on them and include them in the blood-pumping experience of real human contact in a theatre space?
A panel of 6 speakers sits in front of a lit stage. An audience watches them attentively in the darkness.

Building the World We Want To See

Dear Canadian Colleagues: Hello. It is a Thursday morning in Oakland. It’s California and it’s raining, which means no one knows how to drive or take...

Irresistible Revolutions

How many times have I shut off my empathy, my sense of truth or justice because of some kind of higher-up? How many times have I thought, if I do that I’ll lose my job, if I write that it’ll never get produced, if we do that no one will come to see it, if I say that others will be uncomfortable. While the job of an ICE [Immigration Customs Enforcement] Agent and a playwright seem nothing alike, the feeling inside was familiar.
The international boundary in Derby Line, VT. Centre for Land Use Interpretation photo.

CdnTimes Volume 8, Edition 6: LETTERS TO CANADIANS FROM AMERICANS

CdnTimes will publish letters from our American colleagues to hear what it’s like on the ground, now, for theatre artists working in the United States. Meanwhile, HowlRound will be publishing letters from Canadians about what’s affecting our work now. Artists from both countries share warnings, worries, strategies of resistance, generosity, and advocacy – messages of solidarity. What can we learn from each other?

New York Dispatch

Note: I wrote this three days after the election of Trump. Since then there has been a Muslim ban, the elevation of Bannon to...

Drag: The Device That Makes Portlandia What It Is

What is performance? Is it reciting rehearsed lines to an audience? Is it adopting new behaviours? Is it getting into a costume? Is it...