CdnTimes Volume 8, Edition 6: LETTERS TO CANADIANS FROM AMERICANS

CdnTimes Volume 8, Edition 6: LETTERS TO CANADIANS FROM AMERICANS

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The international boundary in Derby Line, VT. Centre for Land Use Interpretation photo.
The international boundary in Derby Line, VT. Centre for Land Use Interpretation photo.


Earlier this week, all eyes were on Prime Minister Justin Trudeau as he paid a visit to the new President of the United States of America, Donald Trump. With our two leaders sitting side-by-side for a polite photo shoot, we had to wonder: what distinguishes us? What makes us the same? What will happen to NAFTA? Will Trudeau continue to withstand Trump’s handshake?

Across the much-discussed border, we are exchanging letters here at CdnTimes. Letters from Canadians and letters from Americans, connecting artists in collaboration with our friends at HowlRound – an online knowledge commons by and for the theatre community based.

CdnTimes will publish letters from our American colleagues to hear what it’s like on the ground, now, for theatre artists working in the United States. Meanwhile, HowlRound will be publishing letters from Canadians about what’s affecting our work now. Artists from both countries share warnings, worries, strategies of resistance, generosity, and advocacy – messages of solidarity. What can we learn from each other? 

The first article “New York Dispatch” relates, Canadian ex-pat Tanya Marquardt’s response to the Trump win on Election Day.

Irresistible Revolutions” by MJ Kaufman draws connection between the roles we take on in theatre and those assumed in direct, non-violent activism.

And in “Building the World We Want to See” Lisa Evans and SK Kerastas consider the opportunities a Trump administration present for radical imagination and community-building.

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About the Authors

retro
With firm footing in performing arts practice and community building, I'm curious and passionate about change, systems, and participation. I'm a producer and an artist. I value collaboration, efficiency, and resourcefulness. Currently Artistic Director of Kingston-based SpiderWebShow Performance, which includes co-curating and producing the Festival of Live Digital Art (FOLDA). During eight years as Artistic Producer of Neworld Theatre, I collaborated with colleagues to found PL 1422, a shared rehearsal and administration hub in East Vancouver, as well as shepherding the creation and production of over 80 live events – including a series of 11 "podplays" audio plays before podplays were cool. In 2015, I was the inaugural artist in residence on CBC Radio’s q based on my digital project The Apology Generator. My formal training is in arts creation and producing, and I have practical experience managing production projects, festivals, and special events. I'm functionally bilingual in English and French. I'm a parent, a gardener, a cook and have recently started running.
retro
Laurel Green is a dramaturg, director and producer. Artistic Associate at Alberta Theatre Projects (@atplive) in Calgary, she works in new play development, production dramaturgy, programming, and creating events for ATP’s Exchange audience series. Laurel is a board member for the Literary Managers and Dramaturgs of the Americas (@LMDAmericas) Canada chapter. She often works as a freelancer and she loves hosting secret performances in her backyard.