#CdnCult Times; Volume 7, Edition 5: MORE CANADA

#CdnCult Times; Volume 7, Edition 5: MORE CANADA


View “I Remapped Canada” on imgur

There’s been a lot going on in the past few days, have you noticed?

Maybe you were celebrating Canada Day, or Independence Day. Maybe you were marching with PM Trudeau in the Pride Parade. Or maybe you were exercising non-violent civil disobedience and sitting-in with the Black Lives Matter protesters. Or maybe you fasting for Ramadan. Or waiting by the phone to hear that loved ones are safe after multiple attacks in Baghdad, Istanbul, or Bangladesh.

I’m sorry, did we just go there? This is a magazine about theatre, after all. Do we need to talk about ISIS attacks?

Yeah. Yeah, we think we do.

People – all people – do things because they believe in things. And yes, yes, we don’t all believe in the same things. And yes, yes, killing is bad. And so is racial profiling and racism. The TYA show in my gym in grade six taught me that ages ago.

So what does this have to do with theatre, again?

From where we’re sitting here at #cdncult, we see our community of theatre makers and supporters working hard to grapple with legacies of colonialism and prejudice. And we are proud of those who are asking the hard questions, and those who are trying – sometimes failing – to answer those questions. And those who embrace the multiplicity of answers and perspectives that make up a healthy and vibrant community.

US President Barack Obama says that the world needs more Canada. Well, we say that the world also needs more Canadian theatre and the many overlapping and interlaced voices it represents.

In this edition, Toronto playwright and actor Andrea Scott reflects on the how African-Canadian voices and stories have emerged within Canadian theatre; Vancouver director Milton Lim calls on us to make room for a diversity of form, as well as experience; and Jillian Keiley, Artistic Director of English Theatre at Canada’s National Arts Centre responds to the recent allegation that Canada doesn’t have a national theatre.

If “more of Canada” means making room for more voices, more ways of doing, more ways of seeing, then yes, the world could use more of Canada. Canada could use more of Canada, too.



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About the Authors

With firm footing in performing arts practice and community building, I'm curious and passionate about change, systems, and participation. I'm a producer and an artist. I value collaboration, efficiency, and resourcefulness. Currently Artistic Director of Kingston-based SpiderWebShow Performance, which includes co-curating and producing the Festival of Live Digital Art (FOLDA). During eight years as Artistic Producer of Neworld Theatre, I collaborated with colleagues to found PL 1422, a shared rehearsal and administration hub in East Vancouver, as well as shepherding the creation and production of over 80 live events – including a series of 11 "podplays" audio plays before podplays were cool. In 2015, I was the inaugural artist in residence on CBC Radio’s q based on my digital project The Apology Generator. My formal training is in arts creation and producing, and I have practical experience managing production projects, festivals, and special events. I'm functionally bilingual in English and French. I'm a parent, a gardener, a cook and have recently started running.
Michael is Artistic Director of SpiderWebShow, which he co-created with Creative Catalyst Sarah Garton Stanley. He was previously Executive Director and Transformation Designer of Generator, where he led the transition from a fee-for-service model named STAF, to the current capacity-building model it operates on. Since 2003, he has run Toronto-based Praxis Theatre, with which he has directed 14 plays and curated several festivals while writing for and running performance-based websites. He teaches regularly at The National Theatre School and Queen's University, where SpiderWebShow is currently in residence.