And then there were three…

And then there were three…

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SWS Podcast 06

Episode 6 of the SWSpodcast, where in your co-hosts Adrienne and Jacob talk about how Jacob’s show went at the Rhubarb Festival and then are joined by Nathan Medd to discuss the intricacies of messaging for large organizations, the relationship between research and development and product, and how to effect change – or if its even worth trying.  iTunes | RSS

We also play a thought from SpiderWebShow.ca Resident Thinker for the month of February: Guillermo Verdecchia.
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Links to things we talk about:

CONTACT US

Jacob‘s email.
Adrienne‘s email.
Twitter #SWSpodcast

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About the Authors

retro
With firm footing in performing arts practice and community building, I'm curious and passionate about change, systems, and participation. I'm a producer and an artist. I value collaboration, efficiency, and resourcefulness. Currently Artistic Director of Kingston-based SpiderWebShow Performance, which includes co-curating and producing the Festival of Live Digital Art (FOLDA). During eight years as Artistic Producer of Neworld Theatre, I collaborated with colleagues to found PL 1422, a shared rehearsal and administration hub in East Vancouver, as well as shepherding the creation and production of over 80 live events – including a series of 11 "podplays" audio plays before podplays were cool. In 2015, I was the inaugural artist in residence on CBC Radio’s q based on my digital project The Apology Generator. My formal training is in arts creation and producing, and I have practical experience managing production projects, festivals, and special events. I'm functionally bilingual in English and French. I'm a parent, a gardener, a cook and have recently started running.
retro
Jacob Zimmer is a director, writer, dramaturge and performer who has shown work across the country. Born in Cape Breton and growing up in Halifax, he now lives in Toronto. Along with founding Small Wooden Shoe, Jacob works in dance as a dramaturge with Dancemakers and in an on-going collaboration with choreographer Ame Henderson/Public Recordings.