The ‘Why Write? Panel

The ‘Why Write? Panel

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isabel-baderSaturday November 19th from 2:30-4pm join us at the Isabel Bader Studio Theatre

In the spirit of asking “who cares about theatre and live performance?” SpiderWebShow in collaboration with the students of Queen’s IDIS 410 present to you:

The ‘Why Write?’ Panel

Meet the folks behind 1 of the USA’s and 3 of Canada’s major contributors to disrupting and archiving contemporary live performance trends.

Join SpiderWebShow Performance, HowlRound, Canadian Theatre Review and alt.theatre Magazine folks as they come to terms with performance and cultural trends and wrestle with how to stay relevant and make relevance today.

Jamie Gahlon is a co-founder of HowlRound based at Emerson College, Boston, USA.

jamie-gahlon-headshotShe currently serves as Senior Creative Producer, running HowlRound’s day-to-day operations. Prior to her work at Emerson College, Jamie worked at Arena Stage, New York Stage & Film, and the New Victory Theatre. Jamie holds a BSFS in Culture & Politics from Georgetown University, and originally hails from the land of 10,000 lakes. She likes to dabble.

 

Sarah Waisvisz – Associate Editor alt. theatre

waisviszplaywritebluewebSarah is a playwright and performer based in Ottawa and currently Playwright in Residence at Great Canadian Theatre Company (2016-2017). She is co-Artistic Director of Calalou, a company dedicated to the development of stories by underrepresented communities.

Recent works include her solo show Monstrous and its follow-up Griot! / Obruni (in development). Sarah holds a PhD in Francophone and Anglophone Afro-Caribbean Literature and has published in the fields of diaspora literature, trauma, the human rights humanities, and Afro-Caribbean cultural memory.

Sarah Garton Stanley – Co-Creator, Artistic Director SpiderWebShow Performance

sarah-garton-stanleyOriginally, from Montreal, Sarah is the Associate Artistic Director of English Theatre and Interim Facilitator for Indigenous Theatre at Canada’s National Arts Centre, and co-director of Selfconscious Theatre. Sarah co-founded The Baby Grand, co-created Women Making Scenes, and Die in Debt Theatre, and is a former AD of Buddies in Bad Times Theatre.

Sarah curates The Collaborations and The Cycle(s) at the NAC. She trained at École Jacques Lecoq, VFS, and received her BA and MA from Queens. Sarah was recently awarded The Elliot Hayes Award for Dramaturgy for her work on The Cycle, focusing on the Indigenous Body of Performance work in Canada. Recent directing credits: The December Man (NAC) We Keep Coming Back (Selfconscious) and Bunny (Stratford Festival)

Jenn Stephenson – Canadian Theatre Review Editor-in-Chief

jenn-2016-bio-2She is Associate Professor in the Dan School of Drama and Music at Queen’s University where she teaches courses on dramatic literature, history, and theory. She is the author of Performing Autobiography: Contemporary Canadian Drama (University of Toronto Press, 2013), which received the Ann Saddlemyer Award from the Canadian Association for Theatre Research.

Recent articles have appeared in Theatre Journal, and in NECT series New Canadian Realisms (vol.2) and Daniel MacIvor (vol.5). Jenn is Editor-in-Chief of Canadian Theatre Review. Jenn’s current book-in-progress is Insecurity: Perils and Products of Theatre of the Real (forthcoming University of Toronto Press). You can follow the progress of this research on her blog www.realtheatre.wordpress.com

Michael Wheeler is Co-Creator and Artistic Director Designate of SpiderWebShow Performance

michael-wheeler-medium-rez-headshotHe is currently the Executive Director of Generator, a mentoring, teaching, and innovation incubator that empowers independent artists, producers and leaders in Toronto. He has also worked as a co-curator of The Freefall Festival with The Theatre Centre, co-curator of HATCH emerging artist projects with Harbourfront Centre, and as a Neil Munro Intern Director at The Shaw Festival.

Much of Michael’s work in the theatre has intertwined with online tools, as he operated and curated websites like PraxisTheatre.com, DepartmentOfCulture.ca, AfricaTrilogy.ca,, WreckingBall.ca and most recently SpiderWebShow.ca. He holds a Masters of Fine Arts from The American Repertory/Moscow Art Theatre Institute for Advanced Theatre Training at Harvard University.

Vijay Mathew Cultural Strategist, co-founder of HowlRound, based at Emerson College, Boston, USA.

vijay_mathew_2016_05_headshotVijay is privileged to assist a talented team by leading HowlRound’s development of commons-based online knowledge sharing platforms  and the organization’s notions of cultural innovation. Prior to his current position, he was the Coordinator for the National Endowment for the Arts New Play Development Program for two years, as well as a Theater Communication Group New Generations Future Leader grant recipient under David Dower’s mentorship in new work at Arena Stage in Washington, DC.

Vijay has a MFA from New School University in New York City and a BA from University of Chicago. He is a board member of Double Edge Theatre located in rural Ashfield, Massachusetts, USA. Twitter: @vijay_mathew, Email: vijay@howlround.com, Mobile/SMS: (+1) 917.686.3185.

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About the Author

retro

Michael is Artistic Director of SpiderWebShow, which he co-created with Creative Catalyst Sarah Garton Stanley. He was previously Executive Director and Transformation Designer of Generator, where he led the transition from a fee-for-service model named STAF, to the current capacity-building model it operates on.
Since 2003, he has run Toronto-based Praxis Theatre, with which he has directed 14 plays and curated several festivals while writing for and running performance-based websites. He teaches regularly at The National Theatre School and Queen’s University, where SpiderWebShow is currently in residence.